Storyboard:
Mind map of ideas:
Script:
INT.
OFFICE DOOR- NIGHT
FIONA is
stood outside GWENDOLYN’S office door hesitating as to whether to enter or not.
When the choice is made to enter, she uses her hand to gesture and charm the
door open, it flying open with force not startling GWENDOLYN who is sat at a
desk the other end of the room engrossed in writing a letter. FIONA approaches
and yet again gestures with her hand to conjure the chair out from under the
table, when she goes to sit GWENDOLYN gestures and the chair slides backward
with FIONA falling to the floor. Awkward silence ensues.
GWENDOLYN
(Pleasant)
Good evening Fiona.
FIONA
(Whilst standing up with a hint of
bitterness)
Always a pleasure Gwendolyn.
FIONA
finally sits in the chair electing a smirk from GWENDOLYN.
GWENDOLYN
(Innocent)
You don’t seem very pleased to see me Fiona.
I can’t imagine why not?
FIONA
Not pleased? Well I don’t suppose you’d think
that’s down to the fact you have violated the terms of the treaty, yet, again,
would it?
GWENDOLYN
I can’t say I know what you’re talking about.
FIONA
Oh you know exactly what I’m talking about,
keep your girls on your side of the city and I’ll keep mine on my side.
GWENDOLYN
Oh posh, why can’t we just live like we did
in Salem?
FIONA
(Angering)
Salem was a long time ago, and it’d be in
your best interests to remember that.
GWENDOLYN
(Mockingly)
Would it now? Or what?
FIONA
Or you’re gonna wish you were burnt at the
stake with all our sisters in Salem.





Well done: this shows you've carefully thought about your film. Targets: on your shooting map, you need to clearly mark the position of cameras at various points in the shoot. Revise the definition of jump cut because you misuse it on the storyboard. You need to include some kind of explanation of the process you went through when planning your film.
ReplyDelete